Prashant Pillai

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Who is Prashant Pillai?

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  • Phone Number *** - **** 3666
  • E-Mailpurpletiger812***@******.***
  • Birthday05 February 1965
  • EducationSt. Ursula High School -
  • AddressBangalore South Western Arterial No: 3666
  • CityTaupo
  • CountryNew Zealand

Prashant Pillai Online Statistics

Prashant Pillai have a 114 following and 60 followers. Prashant Pillai's world rankings is 187153. This page is based on Prashant Pillai's online data & informations. You can find information birth date, place of residence, phone number, address and social media accounts on Prashant Pillai's page.

114Followers
60Following
187153Popularity
935Scores

About Prashant Pillai

Music Producer, Media Entrepreneur, Foodie Prashant Pillai is a cult music producer and media entrepreneur, and is currently working from his production studio in Pune. He has scored music for Anurag Kashyap produced Shaitan, directed by Bejoy Nambiar and Lijo Jose Pellisserry's Nayakan and City of God. He also the founding member of the band Groove Loves Company a multi-genre band focusing on up and coming artists from India and across the world.

Prashant, a certified sound engineer from School of Audio Engineering, started as an assistant sound engineer early 2003 with the two-time Oscar winner A.R.Rahman at his studios in Chennai.

Prashant has a production house by the name Madras Blues and also a Madras Blues Rechords, India's independent music label.

'Tis ruin all!-but o'er my heart
A deeper change is hast'ning on;
Its ev'ry dream will soon depart,
Its ev'ry hope from earth be won.

A little space-and o'er my breast
The Spring's young flow'rs may freshly bloom,
For I shall then in peaceful rest
Repose within the silent tomb.

Then come to this lone spot, and say,
'The Roses which she lov'd, are gone;
The violet wreaths have died away;
And e'en the minstrel-birds are flown.

The spark'ling waters move no more
With murmuring music through the vale;
The sacred cedar's grace is o'er,
For leafless now it greets the gale.

Yet dear to her was this still scene,
Where desolation's seal is set,
As if its beauty ne'er had been,
So wildly by destruction met.'

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